February 11, 2004

Music, the international language

Somehow I thought taking cello lessons would give me a break from everything else. From work, from cultural differences, from tricky points of grammar or noun genders. Music is, after all, the international language. The human response to music is what unites us, right? So I'm taking cello lessons. I've always loved the sound and three or four years ago I enrolled at the local music school. It has been as difficult as I expected, although not in the ways I thought, and far more rewarding.

I've overcome initial difficulties with intonation and bowing and so on. But what I thought would be the simplest part continues to bedevil me: the names of the notes.

I know the names of all the parts of a cello in German, but not in English, having learned them only now. Same thing for various musical terms. How hard can it be to learn the names of the notes in German? They're letters of the alphabet, right?

Much to my surprise, that is not so. The notes are called a-h-c-d-e-f-g in German, to begin with. You'll notice that what we call "b" in English is an "h" in German. It was originally "b" in German as well, but due to a transcription error centuries ago, they started calling it "h". They know this is a mistake, yet continue doing it because that is the way it is done. Even worse, they don't call sharps and flats "sharps" and "flats", as in "c-sharp" or "b-flat". Instead, they give the notes new names. So c-sharp is "Cis" in German, and f-sharp is "fis".

If you don't believe me, look at this.

Moreover, whereas the note "b" is called "h" in German, the key of "b-flat" is called "b-dur". I'm still not sure about the other notes. So now in my third or fourth year of lessons, when my cello instructor tells me, "no, it's a fis, play a fis," I'm still all, like, "play a what? WTF?"

Otherwise, though, I have to say that learning an instrument in Austria totally rocks. There seems to be a deep and broad respect for music and a sense of its importance, not only (as one would expect) among those working at or attending the music school, but in society in general. Although there are plenty of people here who could care less about classical music, the fact that the Vienna Philharmonic won a Grammy this year was widely reported here, even on popular music radio stations.

Perhaps it is just my own background that makes the attitudes here impress me so. Growing up, my mother had a single classical record (Peter and the Wolf) that she played for us on her fold-out record player when she wanted to expose us to culture. Otherwise, I never heard any classical music, ever, except maybe on television, on a comedy, when they wanted to portray a character as snooty or "cultured".

At any rate, I'm enjoying this immensely.

Posted by Mig at February 11, 2004 09:39 AM
Comments

I never cease to be impressed with your musical endeavors, Mig. I grew up listening to classical music, taking piano lessons, singing in a children's choir, the whole bit, so although I feel a bit of a fuddy-duddy, classical music is the only music I feel totally at home with (except when it comes to dancing). Still, I know that most people find it soothing to a point, but are quickly bored with it.

As for the names of notes here in Sweden, they use the same names and notations as the Germans, which does take a little getting used to.

Posted by: francis s. at February 11, 2004 11:09 AM

You might be less impressed if you actually heard me play... I wouldn't call what I do impressive, although it's getting better. One problem for me is I have a talented harpist in the family (my kid) and she's a tough act to follow. I keep it up, though, if only to show my girls that you can do this as an adult too. That, and I enjoy it.

There was no classical music where I grew up in the Pacific Northwest, on the rural side of a suburb of a small town. I tried cello for a week as a kid (the music teachers I know here in Austria happen to be impressed by the way music is taught in America's public schools), then quit after my dad teased me (and after I decided it was too hard).

Posted by: mig at February 11, 2004 11:41 AM

The cool thing about the German style of note-naming is that it allowed JS Bach to make a musical pun by putting his name in the subject (melody) of a fugue!
http://www.bachcentral.com/artofug2.html

Posted by: Anita Rowland at February 11, 2004 07:51 PM

Here, it's all that Do-Re-Mi stuff, like in the Sound of Music. However, if someone tells me "La," then I have to count and use my fingers to know what note that is.

You would think music would be the universal language.

Posted by: kim at February 13, 2004 01:39 PM

I'm happy I found this site. I am working on a paper for a Music Appreciaiton course, and am to do a debate on whether music is the international language, pros and cons, and was having a hard time coming up with a debate. Now I have it. Good luck with your lessons, and learn that German!

Posted by: Sandra at May 31, 2004 10:17 PM